Abstract

Part of Chesterton’s imagery that he often employs in his writing is the motif of light and darkness, which in The Ball and the Cross takes the form of the cycle of night and day. This cycle dictates a specific rhythm, which rules over both the ongoing duel and other events. Thus, the evening and night time is rather reserved for considerable and profound insights, found in, for instance, the opening and closing scenes and in all the events that reflect or decide about the characters’ spiritual growth. The day time seems to contribute more to the development of the protagonists’ relationship with each other and the world around.

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