Abstract
ABSTRACT Vera Lynn’s ‘We’ll Meet Again’ maintains an omnipresence throughout modern British culture, apropos of its Second World War roots. And while a growing body of literature has focused on the propagandistic role of music during the Second World War, these studies have yet to link any select musical work’s historical popularity with its enduring preservation in the national cultural memory. This paper analyses the semiotic meanings and influence of ‘We’ll Meet Again’, both in its wartime context and in the ongoing British cultural memory of the war. In so doing, this research extrapolates the song’s inherent connections to wartime ideals of gender and the nation and concludes by presenting a theorised rationale for the song’s cultural longevity in the UK.
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