The creation of Krystian Lupa’s Mo Fei (adapted from Shi Tiesheng’s works): A co-operation of Polish theatre in the Chinese theatre industry

Abstract

In this article, the author analyzes the dramatic work Mo Fei, adapted from several pieces by the contemporary Chinese writer Shi Tiesheng by Polish director Krystian Lupa in 2017. The analysis pays particular to exploring the creation from the original text to the stage work. Mo Fei has been regarded as a successful adaptation, which brought about metaphysical, spiritual content rarely seen in the contemporary Chinese theatre. Lupa adapted Shi’s works based on existentialist philosophy, using unique theatrical methods and techniques of expression not presented in the original work. As an experienced international director, Lupa’s adaptation reflected his characteristic and preferred aesthetic. His directing methods and artistic taste were reflected in his adaption of Mo Fei, including the practice of laboratory rehearsal and pursuit of inner life (similar to Grotowski). These aspects of Lupa’s work have essential inspirations for the Chinese theatre industry.