THE CONCEPT OF "CHARACTER'S SPEECH" IN TRANSLATION AND ITS THEORETICAL BASICS

Abstract

The study of character speech in fiction has long been a problem in science. There has been a lot of research in this area, especially in Uzbek and Russian translation, and major scientific works have been created. Just as the absence of some errors and inaccuracies in the translation does not mean that the quality of the translation is high, their presence does not mean that the translation is of poor quality and does not meet the requirements. The researcher who seeks to study a translation should focus on the power of influence inherent in the translation, and whether the original ideological and artistic value is fully preserved. It is much easier to translate phraseological units literally than to find an alternative to them in the language being translated, or to take a creative approach to the subject and create a new phrase that matches the original phrase and fully expresses its meaning. However, if a clear, artistic, and semantic alternative to the original phrase is in the language being translated, and the translator does not take this into account, it is a shortcoming. It's about finding an alternative to that phrase and using it in its place. The main purpose of the article is to analyze the phraseological units, focusing on the culture, history, philosophy and mythology of the studied language. The use of phraseology in character speech in translation has not been specifically studied in comparative linguistics or translation studies. This determines the relevance of this topic. Anthrocentric focus on phraseological units in Hindi and Uzbek languages, identification of national color and figurative features of phraseology and methods of their translation.