The composer’s interpretation: the dialectic of inner and outer factors

Ruslan Kashyrtsev

doi:10.34064/khnum2-21.13

Abstract

The composer’s interpretation: the dialectic of inner and outer factors

Highlights

Consideration of a composer interpretation is an important sphere for investigation in the Ukrainian musicology
Attention focuses on the interaction of a composer’s artistic individuality and objective prerequisites of creation a musical piece in the process of a composer interpretation. Their dialectical interaction is showed on the designed models-scenarios, which display typical situations a composer may encounter in his / her work
Special attention is paid to differentiation of procedures of the actual composition art and the composer interpretation

Summary

Introduction

Consideration of a composer interpretation is an important sphere for investigation in the Ukrainian musicology. Attention focuses on the interaction of a composer’s artistic individuality (the inner factor) and objective prerequisites of creation a musical piece (the outer factor) in the process of a composer interpretation. Their dialectical interaction is showed on the designed models-scenarios, which display typical situations a composer may encounter in his / her work. The conventional view on the composer interpretation anticipates “the intermediation” between already existing primary source of musical and non-musical origin In this concept the interpretation plays a significant role in a creation of compositions in “the genre of musical transcription” (Borisenko, 2005; Khutorska, 2009; Moskalenko, 2012). The nature of this phenomenon prove itself to be much more complicated and elusive as it’s clear from the studies dedicated to certain personalities (Drach, 2002; Kopytsia, 2018) or the process of composer’s art in general (Mukha, 1979; Schnittke, 1982; Shapovalova, 2008; Varnava, 2017; Chubak, 2017)

Objectives

Conclusion