The Colonial Pygmalion: Unsettling Dinesen in Out of Africa

Abstract

This paper explores the atavistic and feudal historical fantasies that structure Isak Dinesen’s 1937 memoir, Out of Africa . It analyses the imagery and symbolic logic of the memoir in conjunction with Dinesen’s letters from Africa in order to examine how Dinesen derives an idiom to speak of Africa that synthesizes the social structures of European feudalism, the discourse of the noble savage and the aesthetics of the sublime. The paper seeks to unpack the conundrum that fashions a modern, emancipated female subjectivity from the anachronistic paradigm of feudalism and within the framework of imperial domination and colonial occupation. The paper explores how Dinesen’s feudal idiom extends the genre of European pastoral to the colonial milieu and places it in the service of a larger search for a discourse of legitimacy. I argue that this is an abiding preoccupation of colonial literature. I analyze in detail the specular logic through which the narrator confronts Africa as a space that alternately panders to or challenges the psycho-political narcissism of the settler. Dinesen’s memoir reveals the myriad operations of the narcissistic structure through which the narrator strives to fill the copula of the question, “What is Africa to you or you to Africa?”