Abstract
The modern choirboy is such a familar object, at any rate to those who go to Church, that it is not generally realised that he is in any sense an historical figure, and by some is even regarded as a necessary nuisance or as a person of no serious importance.Yet in this familar figure we can, perhaps as nowhere else, see the living embodiment of some of those things which are most distinctively national in the music of our country.
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