The character of a global transport infrastructure: Jules Verne’s Around the World in Eighty Days

Abstract

Jules Verne’s Le Tour du monde en quatre-vingts jours, serialized in 1872 and published in English in 1874 as Around the World in Eighty Days, displays through its hero the character, in both senses of the term, of the new global public transport system that had transformed long-distance travel in the nineteenth century. Verne’s fiction imagines the community defined by this system in three particular elements: A high-speed public transport network creates a community of people by extending their synchronic collective sense of ongoing separate simultaneous activity and, collaterally, unifies them historically as contemporaries defined by the current mode, form and speed of their transport network; it creates this community of people irrespective of the individual purposes for which they use the transport system; and individuals comprehend this networked community by projecting an omniscient-like perspective through which they imagine themselves and others as circulating bodies in it.