“The camera got through safely”: photography and women’s memory activism after the Irish Civil War and Spanish Civil War

Abstract

ABSTRACT This article takes a comparative approach to gendered legacies of civil war and militant women’s post-war memory activism in Ireland and Spain, and highlights a shared practice of photographic memory-keeping as a means of constructing counter-narratives of war. It focuses specifically on the testimonial memoirs “Blaze Away with your Little Gun” (1968–69) by Siobhán and Mairead de Paor and Cárcel de Mujeres (Vol. 1 and 2, 1985) and Mujeres en la Resistencia (1968) by Tomasa Cuevas, which commemorated women’s experiences of activism and imprisonment in the Irish Civil War and Spanish Civil War respectively. This article unpacks how militant women on the losing side of civil war navigated the gendered repression and enforced erasure of the post-war Irish Free State and Francoist dictatorship and uses the two case studies to demonstrate that women’s photographic practices enabled them to contest national narratives of war. It thus highlights how women’s testimonial photographic practices, the ways in which they created, re-defined, and circulated images within written memoirs, allowed them to reclaim agency over their experiences of activism and imprisonment and commemorate women who were otherwise erased from official remembrance.