Abstract
The study attempts a reconstruction of the fresco, based on a detailed study of the preserved plaster fragments, of which new drawings and photos are provided. Minoan miniature frescoes with architectural façades appear to be the closest iconographically. Representations like those in the Grandstand and Sacred Grove frescoes from the palace of Knossos are examined, both for their possible thematic association with bull-leaping and for their possible role as models for the Ramp House fresco.
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