Abstract

ABSTRACT This paper analyses Jalil Mammadquluzadeh’s drama, The Book of My Mother (Anamın Kitabı), to understand Azerbaijani nationalism in the early twentieth century. Under the repression of industrialization and colonialism, Azerbaijani national identity found its expression in literary products. Through Fredric Jameson’s concepts of national allegory and political unconscious, we examine The Book of My Mother as a fictional representation of Azerbaijani nationalism during its formative period. Ultimately, this article addresses a gap in the growing literature on Azerbaijani nationalism by applying Jamesonian critical literary theory to encourage further research in subaltern nationalism for other cases, especially within the Central Asian context.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.