Abstract

Today, the status of science in society is increasingly contested. One reason is immanent to science: Facing hypercomplex systems and ‘wicked problems’, science cannot provide an unequivocal and binding basis for action and policy design. This problem is especially pronounced in systemic contexts in which epistemic subjects and objects are entangled in a co-evolutionary relationship, as in the economy, which is the core driver of climate change. I argue that in these contexts, ‘art’ becomes an epistemic mode on equal status with ‘science’ conventionally understood: Art is the epistemic mode of co-creation. This argument builds on the philosophy of post-Kantian German idealism and its intellectual metamorphoses, such as in American pragmatism. I discuss the essentials of this view, present examples from the field of Ecological economics and draw practical conclusions for method.

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