Abstract

What does “decadence” mean? Does it mean anything at all? Is it sinister or irresistibly appealing? Regardless of the ambiguity that surrounds the word “decadence” (often with a small “d”), no one can deny that decadence (frequently with a capital “D,” especially when it alludes to the late nineteenth-century European cultural movement) has been sweeping the world of academic publishing. Seen from the perspective of 2022, the past few years appear to have been, at least among scholars, a decade of decadence. Joseph Bristow opens his chapter on “Female Decadence” for the 2016 volumeThe History of British Women's Writing, 1880–1920by saying, “There is no question that by the mid-1890s one word had come to define avant-garde art and literature in Britain,” and that word was decadence. Judging by the recent proliferation of books and art exhibitions on both sides of the Atlantic, history appears to be repeating itself and on a broader scale. Decadence is now defining, or at least preoccupying, many of us.

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