Abstract

The history of natural disasters in Taiwan has frequently been linked to the practice of historical preservation, archival science, oral history, and museum curatorship. All are collectively hallmarks of a broad range of activities that fall under the umbrella of public history. The problem for Taiwan, however, concerns the legitimacy. Taiwan does not have a single national narrative. It has been subjected to waves of colonialism since the seventeenth century and does not presently have a fully post-colonial narrative. The earthquakes discussed in this paper occurred in two different periods of colonisation. In order to situate the history of earthquakes into a public history discourse, the field of earthquake-based research in Taiwan has to incorporate different audiences and integrate into a much broader understanding. By this, I mean that the present regimental academic disciplines in Taiwan need to be cross disciplinary, especially since public history is by its very nature collaborative. It illuminates a shared authority over a much wider area. It needs to. It is my argument that it is in digital humanities that Taiwanese academics work best in collaboration. Efforts have been made to digitise the personal experiences of those involved in typhoon reconstruction efforts. A natural synergy, therefore, for the understanding of earthquakes, as public history, is to emphasise access and broad participation in the creation of knowledge. Digital humanities enables this. Attention to this is particularly important in historical preservation of particular sites on an island that frequently develops and re-develops brownfield sites.

Highlights

  • The history of natural disasters – and earthquakes in particular – in Taiwan has, to a certain extent, been inadvertently linked to the practice of historical preservation, archival science, oral history and museum curatorship. All of these are hallmarks of a broad range of activities that fall under the umbrella of public history

  • The very impact of natural disasters leave behind visual reminders such as Longteng Bridge (Longtengqiao龍騰橋) in Miaoli, the remains of Siaolin Village in Kaohsiung following the mudslide caused by Typhoon Morakot in 2009 or, the best-known site, the former Guangfu Junior High School in Taichung which houses the 921 Earthquake Museum of Taiwan

  • Before an examination is made of how the earthquake of 1935 arrived at a point of public history in the twenty-first century, it is important that a detailed account of the quake, and its response from the Japanese colonial government, be given

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Summary

Introduction

The history of natural disasters – and earthquakes in particular – in Taiwan has, to a certain extent, been inadvertently linked to the practice of historical preservation, archival science, oral history and museum curatorship.

Results
Conclusion
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