Abstract
Public history has long been practiced in South Africa, yet its content and purpose have always been deeply contested. In a deliberate, state-driven process, it has undergone extensive change since 1994, helping to redefine the nation in the post-apartheid era. There have been two principal means of achieving this goal: the first has been to commission a large number of new memory sites and the second has been to insist on a renovation of older sites, whose previous incarnation served the narrow interests of a small white minority. While clear new narratives have emerged, the process has witnessed continuing contests over representation and competing claims to the heritage estate.
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