Abstract
The article focuses on the radical shift in Czechoslovak culture after World War II, characterized by an ostentatious approval of the Soviet Union, which was reflected in all areas of public life. Interesting testimony of the Sovietization of Czechoslovak culture from 1948 to 1989 is provided by architecture. Initially, it is characterized by historicism, argumentatively supported by the doctrine of socialist realism, and from the late 1950s, a moderated modern style, serving the same representative function (metro, hotels, monuments).
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