Testing tone mapping operators with human-perceived reality

Abstract

A number of successful tone mapping operators for con- trast compression have been proposed due to the need to visualize high dynamic range (HDR) images on low dynamic range (LDR) devices. They were inspired by fields as diverse as image process- ing, photographic practice, and modeling of the human visual sys- tems (HVS). The variety of approaches calls for a systematic per- ceptual evaluation of their performance. We conduct a psychophysical experiment based on a direct comparison between the appearance of real-world scenes and HDR images of these scenes displayed on an LDR monitor. In our experiment, HDR im- ages are tone mapped by seven existing tone mapping operators. The primary interest of this psychophysical experiment is to assess the differences in how tone mapped images are perceived by hu- man observers and to find out which attributes of image appearance account for these differences when tone mapped images are com- pared directly with their corresponding real-world scenes rather than with each other. The human subjects rate image naturalness, overall contrast, overall brightness, and detail reproduction in dark and bright image regions with respect to the corresponding real-world scene. The results indicate substantial differences in the perception of images produced by individual tone mapping operators. We ob- serve a clear distinction between global and local operators—in fa- vor of the latter—and we classify the tone mapping operators ac- cording to naturalness and appearance attributes. © 2007 SPIE and