Abstract
Ulaa film, Sons of Denmark, employs terror melodrama, an iteration of the melodramatic mode related to 9/11 that represents the nation as innocent and violated. This allows the film to raise questions about masculinity, systemic racism and white innocence in the decades-long rise of far-right political parties in Denmark.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
