Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination

Abstract

ABSTRACT The article demonstrates how Olga Tokarczuk inscribes diverse religious traditions in her novels and creates new theological ideas to offer readers literary tools for exercising their imagination. In this way, Tokarczuk’s prose exposes the arbitrariness of religiously legitimized worldviews and destabilizes the existing cultural imaginary. An analysis of Tokarczuk’s methods for constructing beliefs, rituals and metaphysical frameworks of the world that consolidate the communities she describes allows us to perceive her writing as postsecular. Each of her published works of fiction is briefly presented in chronological order, providing an insight into both the continuities and transformations of her approach to contemporary fiction. Juxtaposing these analyses with Tokarczuk’s views on the social role of literature presented in her essays and self-commentaries and the concept of the “tender narrator” from her Nobel lecture, allow us to identify the political and ethical motivations for such a creative strategy.