Abstract

The media context is immersed in a process of platformization in which the supply of audiovisual content is highly dynamic. The formulas for acquiring feature films are not always an open process. During the ECAM producers’ conference, data on acquisition strategies of the main platforms in the Spanish market were collected and processed according to those responsible for acquisitions, and compared with the data obtained in the systematic literature review (SLR). There is a trend towards the acquisition of projects with solid financing and relevant trajectories in the festival circuit.

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