Abstract
In this paper I seek to examine three poems from Rimbaud’s Illuminations within the context of the poet’s well‐advertised predilection for the tale and fairy tale. Thus I seek to analyse ‘Conte’, ‘Aube’ and ‘Royauté’ as examples of how the poet begins from the notion of the fairy tale as a genre and proceeds to compose prose poems, which both imitate and deviate from the norms and protocols of this parent genre. Essentially, I offer close reading of each of the texts in order to illustrate key aspects of their structure and vocabulary and in the process I highlight what I consider to be essential elements of the Rimbaldian prose poem. I have referred from time to time to leading Rimbaldian scholars whose work has also looked at this or related areas of the poet’s writing.
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