Abstract

In the summer of 2006, during a popular uprising in the Mexican state of Oaxaca, a group of Oaxacan women occupied state television and transformed it into TV by and for the people in just twenty-one days. Engaging with the amateur and fugitive aesthetic of the women’s self-produced media, this article examines the ways in which the broadcasts helped build The Popular Assembly of the Peoples of Oaxaca (APPO) as a model of decolonial democracy. I argue that through the recuperation of foreclosed public space, the women used the instruments of state power to develop forums for political deliberation and debate that re-articulated and reframed issues of gender, class and indigeneity in the social movement. They prefigured APPO’s proposed democratic model by visualizing the popular assembly as a dynamic work-in-progress, and in turn helped to manifest it by inviting broad public participation and support to realise APPO’s democracy ‘to come’.

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