Abstract
In the summer of 2006, during a popular uprising in the Mexican state of Oaxaca, a group of Oaxacan women occupied state television and transformed it into TV by and for the people in just twenty-one days. Engaging with the amateur and fugitive aesthetic of the women’s self-produced media, this article examines the ways in which the broadcasts helped build The Popular Assembly of the Peoples of Oaxaca (APPO) as a model of decolonial democracy. I argue that through the recuperation of foreclosed public space, the women used the instruments of state power to develop forums for political deliberation and debate that re-articulated and reframed issues of gender, class and indigeneity in the social movement. They prefigured APPO’s proposed democratic model by visualizing the popular assembly as a dynamic work-in-progress, and in turn helped to manifest it by inviting broad public participation and support to realise APPO’s democracy ‘to come’.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.