Abstract
While Western Europe’s visual cultural resistance to populism is often highlighted in both the media and academic studies, resistance to populism through artistic and cultural production is very seldom addressed in the academic studies dedicated to East-Central Europe. This does not mean that the cultural producers from the former East do not confront the surge of neo-populism in the region. How do artists understand and figure out cultural alternatives and resist right-wing populist politics and its culture in East-Central Europe? What are their strategies to react against ‘culturally popular’ formats and ethnoreligious nationalist culture in an age of generalised anxiety? This article focuses on alternative archives of visual art against populism, within which it addresses self-portraits, double-self-portraits, and multi-self-portraits understood as visual cultural productions that resist the pre-existing depictions of ‘the people’ – employed by the right-wing populist entrepreneurs – to polarise societies into friends versus enemies.
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