Telas e janelas, molduras das imagens

Abstract

From the idea of darkness as a frame that involves the dreams and the imag.nation of cinema viewers, this article approaches cinema images from a double articulation: as screens that reflect interior and static images, andas windows that open to an exterior world full of movement. The article intends to question this dualistic viewpoint, pointing :>ut some of the complex relations that can be established between the inside/outside game performcd by images.