Abstract
Through a study of “Red Dress–1946,” this article aims at showing how Munro in her first collection develops an ironical style through which the narrator humorously looks back at her awkward teenage self and, in a more deeply affecting way, at her changing relationship with her mother. This work is based on a comparative study of the drafts of the story which are available in the Special Collections of the Taylor Family Digital Library at the University of Calgary, and the version collected in Dance of the Happy Shades in 1968, after being first published in 1965 in The Montrealer. The analysis will focus on two main aspects of the evolving and published texts: the dress as source of irony, and narrative voice (together with characterisation, setting, and ending) as a factor of reflexivity.
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