Abstract

Abstract In recent decades, many studies have been carried out on the technology of ceramics of the Trypillya-Cucuteni culture. The presented article gives a summary of much of the information amassed. All stages of the Trypillya ceramic production have been considered: the preparation of the clay mass, the methods of modelling, the connection of structural parts, and decoration. Manufacturing standards for vessels that formed ceramic assemblages of different chronological stages of Trypillya culture are identified. Particular attention is paid to the study of engobe and the composition of pigments in the paint layer.

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