Abstract

Lacquer comes in a variety of forms and styles of expression, like clear warm cockroach paint and jet black lacquer, which merge in harmony with many other materials (eggs, pearls, gold, silver, lipstick, colors, and so on) to create a work of profound artistic language. Artists have conveyed these forms and techniques through lacquer paintings. With a comprehensive expression of typical materials combined with abrasive painting techniques (interlacing, snailegg carving techniques, embossed relief painting techniques, gold cupping techniques, sunken engraving techniques, engraved paint or so on), each type of lacquer painting in Binh Duong has become more effective than expected. Among the current lacquer techniques, the engraving technique involves the artisan's meticulousness and expertise when utilizing sharp, blunt tools to carve into the paint surface while also creating evenly spaced engraving lines. These engraved lines have become a defining feature of Binh Duong's painting and engravingtechniques. Because of the above distinguishing features, the author employed an artistic research approach to analyze and evaluate several traditional lacquer painting styles in Binh Duong. To clearly see the artistic value of the engraving technique in Binh Duong, it must be recognized as a true core value that deserves to be cherished and promoted in creativity, education, and vocational transmission, especially given the risk that traditional occupationsare gradually disappearing, as they are today.

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