Abstract
Oppari-the folksong of Tamil Nadu and North-Eastern parts of Sri Lanka, is known as the Tamilsong of mourning. The practice of women singing oppari is prevalent in the suburban and rural spaces of Tamil Nadu. They form a circle, weep, beat their chest, wail and jump on the beats of Parai (single-sided drum) music on the death of a member of a family as reported by Srinivas (Oppari: An art of Weeping, Wailing and Lamenting, 2019). The women in the region express their grief over the death of their beloved with the lyrics of oppari songs. Of late, professional oppari singers, including both female and male, have been invited to rural and urban Tamil Nadu on the death of a member in the well-off families to mourn for the deceased person. This distinctively South Indian genre of weeping songs has evolved with time. The lyrics of the oppari songs have been blended with the essence of the periodical changes. The content, context, and presentation of the oppari songs have been playing important roles to reflect the makeovers of times. This study attempts to understand the reflection of times in the lyrics of oppari songs by assiduously employing semiotic analysis. The analysis of the words of the content, context indicated and presentation of subject, period, and expression in lyrics of the oppari songs has been made in the paper. The analysis of three oppari songs gives some significant ideas about the different times of history.
Published Version
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