Symphonic music and cultural statecraft: the rise of symphonic statecraft in the post-Mao China

Abstract

ABSTRACT Despite extensive studies on China’s soft power assets and strategies, the role of symphonic music within its cultural statecraft remains underexplored. This paper introduces the notion of ‘symphonic statecraft’ to examine the targeted and context-specific nature of China’s cultural efforts, focusing on how China adapts this globally recognized art form for its nation-building project. Using mixed methods, the study analyses awards from national composition contests between 1978 and 2012 and the programming choices of the China National Symphony Orchestra from 2006 to 2023 to reveal an environment shaped by selective state sponsorship that allows for artistic autonomy. The findings demonstrate a nuanced interplay between global influences and local interpretations, illustrating how China crafts narratives that interweave its enduring civilizational essence with contemporary aspirations. This evolving strategy absorbs increasingly diverse themes and moves beyond surface-level propaganda while maintaining strategic boundaries, reflecting the process of selective openness in China’s symphonic identity formation.