Sympathy for the Devil

Abstract

Since Melvin Burgess published his first children’s book, The Cry of the Wolf (1989) he has had the reputation of being a powerful and challenging writer, discussing issues that many other writers have shunned. But it was with Junk (Smack in the US) in 1996 that he became a notorious media figure. This Carnegie winning novel showed teenagers not only taking drugs, but enjoying them, and sex, too! As a whole, though, this book also showed the dangers of hard drugs, and did anything but glamorise addiction. The book was also innovative in using multiple narrative voices, so that moral certainties are continually being challenged, shown to be but partial. Burgess continued this technique in Bloodtide (1999), which is undoubtedly his most powerful book yet (a second volume is on its way), updating the Icelandic Volsunga saga in a bleak, futuristic London. Lady: My Life as a Bitch (2001) and Doing it (2003) also brought much media attention, both dealing explicitly with teenage sex. These are the main books that Burgess talks about in his article. However, his range is far wider, and his other texts should not be forgotten: he has written several novels for younger readers, a picture book, The Birdman (2000) and an excellent novelisation of the film Billy Elliot (2001). His ability to write gripping, absorbing stories with memorable characters is always foremost, whatever other issues might be addressed.