Abstract

Suzuki Izumi’s (1949–1986) short story “Onna to onna no yo no naka” (A World of Women and Women) was published in 1976, at the time when the genre of separatist feminist utopia was flourishing in the West. Worlds of women in the context of Western literature have been viewed as part and parcel of the feminist movement and debates of the 1970s and 1980s and some attempts have been made to look at Suzuki’s story through the same lens. However, this essay claims that “A World of Women and Women” should be examined as an expression of discomfort experienced by women in society rather than as a possible blueprint for a better social order or utopian feminist vision. I contend that Suzuki’s work reflects the contemporary cultural atmosphere of disappointment both with the state and with protest movements, with what the philosopher Yoshimoto Takaaki called “communal illusion.” The story is a critique of a discursive space near and dear to Suzuki’s heart – the world of shōjo narratives (narratives aimed at girls and young women), constructed as an insular space that precludes real engagement with the reality of having to live in a world in which men do exist.

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