Abstract

Targeted at the fragility of culture-led regeneration as a result of market frustrations and policy instability, the paper proposes a sustainable perspective to re-examine the prospects of culture-led urban regeneration projects at the local level through the taxonomy of three signatures—The Beijing 798 Art Zone, The Shanghai M50 and The Guangzhou Xinyi International Club are chosen as different, yet representative cases of industrial heritage transformed creative clusters. By comparing the development trajectories and statuses of these pioneer culture-led regeneration projects, the paper reveals the mechanism and confirms the model of practice for the reincarnation of industrial heritage by creative clusters in the local context of the cities. Ultimately, the analysis of this model indicates that the reuse of industrial heritage is an effective approach in response to the cultural demands of the post-industrial era; however, it brings forth the inevitable challenges beyond economic dimension, from a sustainability perspective. The analysis further identifies those underlying reasons of unsustainability and provides recommendations in order to explore the full potential of the “cultural value” of urban regeneration.

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