Abstract
This research explores the feminist dimensions of Rowson's play, Slaves in Algiers or, a struggle for freedom (1794), from historicist and dialogical perspectives. More particularly, it looks at the play within the context of the politics of the early American republic to uncover how Rowson deploys the captivity of American sailors in Algiers (1785-1796) as a pretext to deconstrust the established gender power relations without hurting the sensibilities of her audience in its reference to the issue of black slavery. The research also unveils the many intertextual relationships that the play holds with the prevalent captivity culture of the day, sentimental literature, and more specifically with Cervantes’s Don Quixote.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.