Abstract
ion and individualization of modernity than about the human sacrality of Turkish Islamic writing it purports to argue and illustrate. The chart flattens a unitary, divine language onto a two-dimensional grid, incarcerating each letter in an individual cell of the grid. Here, the round curves of the Turkish Islamic alphabet, which Baltacioglu counterposed to the linear geometry of Latin letters, vanish into the straight lines of the ERTuRk / surrealism and turkish script arts
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