Suicidio y crítica cultural en la medicina española del siglo XIX

Abstract

This paper explores the major role of suicide in the cultural criticism deployed by 19th century Spanish doctors by analysing the most important theoretical models that inspired their contributions to its aetiology. In the first half of the century, the most commonly debated causal factor was the passions, which were thought to stand in a permanent tension with a free, reflexive and conscious self, in accordance with the spiritualist doctrine that was then dominant. In the context of a growing somatisation of moral and intellectual phenomena, the notion of suicide as an act of free will was later modified, and it became considered the consequence of certain organic disturbances. However, this process did not alter the central role of suicidal behaviour within 19th-century cultural criticism, because the advent of degeneration theory meant that doctors finally had a doctrine that allowed them to combine biological determinism with the extended perception of a moral and social crisis threatening the stability and achievements of bourgeois society.