Abstract
ABSTRACT Comparing and contrasting the journalistic routines that manifest in a Zimbabwean political satire show, The Week with Cde Fatso, and those manifesting in content from the Zimbabwe Broadcasting Corporation Television, the study argues that political satire’s alternativeness as a form of journalism lies in its journalistic role performance. By subverting conventional journalistic routines, satire can offer an alternative version of journalism that is overlooked by traditional media due to different forces. Under Zimbabwe’s conditions, The Week has risen to fulfil interventionist, watchdog and civic journalism roles that have been neglected by the national broadcaster.
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