Abstract

Birdsong is used to communicate the position of stairwells to visually impaired people in train stations in Japan. However, more than 40% of visually impaired people reported that such sounds were difficult to identify. Train companies seek to present the sounds at a sound pressure level that is loud enough to be detected, but not so loud as to be annoying. Therefore, salient birdsongs with relatively low sound pressure levels are required. In the current study, we examined the salience of different types of birdsong and insect song, and determined the dominant physical parameters related to salience. We considered insect songs because both birdsongs and insect songs have been found to have positive effects on soundscapes. We evaluated subjective saliences of birdsongs and insect songs using paired comparison methods, and examined the relationships between subjective salience and physical parameters. In total, 62 participants evaluated 18 types of bird songs and 16 types of insect sounds. The results indicated that the following features significantly influenced subjective salience: the maximum peak amplitude of the autocorrelation function, which signifies pitch strength; the interaural cross-correlation coefficient, which signifies apparent source width; the amplitude fluctuation component; and spectral content, such as flux and skewness.

Highlights

  • Birdsong and insect song are near universal experiences in the outdoor environment. some birdsongs and insect songs communicate seasonal changes and are considered pleasant by Japanese listeners, not all instances of birdsong elicit pleasant feelings [1]

  • The stimuli were birdsongs produced by Halcyon coromanda (HC), Latham (L), Cuculus canorus (CC), Cuculus saturatus (CS), Strix uralensis (SU), Otus scops (OS), Caprimulgus indicus (CI), Streptopelia orientalis (SO), Terpsiphone atrocaudata (TA), Garrulus glandarius (GG), Porzana fusca (PF), Parus minor (PM), Horornis diphone (HD), Zosterops japonicus (ZJ), Turdus sibiricus (TS), Prunella rubida (PR), Eophona personata (EP), and Emberiza cioides (EC), and insect songs produced by Cryptotympana facialis (CF), Meimuna opalifera (MO), Graptopsaltria nigrofuscata (GN), Oncotympana maculaticollis (OM), Tanna japonensis (TJ), Velarifictorus micado (VM), Loxoblemmus doenitzi (LD), Oecanthus longicauda (OL), Gryllotalpa orientalis (GO), Teleogryllus emma (TE), Meloimorpha japonica (MJ), Xenogryllus marmoratus (XM), Hexacentrus hareyamai (HH), Mecopoda nipponensis (MN), Tettigonia orientalis (TO), and the Japanese katydid (JK)

  • We examined the salience of birdsong and insect song in terms of several physical parameters

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Summary

Introduction

Birdsong and insect song are near universal experiences in the outdoor environment. some birdsongs and insect songs communicate seasonal changes and are considered pleasant by Japanese listeners, not all instances of birdsong elicit pleasant feelings [1]. Birdsong and insect song are near universal experiences in the outdoor environment. While not all birdsongs and insect songs are considered by humans to be beneficial components of an environment, some have been found to contribute to perceived attention restoration and stress recovery [2,3]. From the perspective of soundscapes, natural sounds (e.g., water, birdsongs, and wind in trees) can play a key role in acoustic comfort. The introduction of birdsong has been found to increase the subjective pleasantness of soundscapes in public spaces [7]. Birdsong was judged as the most effective and beneficial type of sound for improving sound environments [8,9,10]

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