STYLE PARAMETERS AND SEMANTIC PROPERTIES OF GENRE FORM «POEM WITH MUSIC» IN THE WORK OF A. SCHNITKE

Abstract

The purpose of the article is to consider structural-compositional features and to identify semantic properties of the genre form «poem with music» in the chamber-vocal work of A. Schnitke. The methodology of work is based on an integrated approach, which combined genre-style, source, narrative, historical and musicological analytical methods of analysis. The scientific novelty of the article is to study the dialogue interaction of verbal and musical levels in the genre form «poem with music,» which allows to deepen ideas about its structuralcompositional features and to identify ways of forming its semantic properties. Conclusions. In A. Schnitke ’s work, chamber-vocal works occupy a significant place, opening a special line of his individual-author style, aimed at fine luring and penetration of the composer into the poetry word. While during the initial periods of the creative journey A. Schnitke often turned to single texts, over time the tendency of cyclization and consolidation of cyclic construction of works becomes the leading importance. In chamber-vocal cycles the most relief expressed is the author ’s position on the relationship between verbal-poetry and musical levels with the clear priority of the first, which found its display in attention to the genre form «poem with music.