Study the effect of the painted look in the works of illustration of iranian painter artists

Fereshteh Fathalizadeh Kalkhoran,Behnam Kamrani

doi:10.18468/estcien.2018v8n3.p71-88

Abstract

Modern painting in Iran seems dynamic and energetic at first glance; however, some believe that it’s alien to Iranian national Identity and some others believe it has led to identity crisis. Painting and portraiture has undergone considerable changes. The importance of these changes, characteristics and functions, lead to our research goal. Research goal: to study the effects of artistic view in portraiture works of for Iranian painters: Ali Akbar Sadeghi, Mohammad Ali Bani Asadi, Karim Nasr and Farshid shafiei. Research method: The method used in this study is descriptive-analytic. Collecting data: The way to collect data is documentary and field research. Findings: Findings show that there is no significant difference between these two arts in many artistic works of modern painters and sometimes they overlap. Moreover, considering national Identity, painters have tried to modernize painting by the use of modern art methods. They have combined traditional art factors with western modern painting experience, added by national belief to create a kind of harmony and balance between these two arts.

Highlights

Choosing the angles of view of an artist, in drawing and illustrating and creating an art, irrespective of its positive functions, in particular, in order to better transfer the artist's concepts and messages to the audience, has different ways that with the scientific knowledge of the functions of each of them, a new window to the world of contacts can be opened and in this way, it promoted the quality of the works of artists
A brief account of what has been commonly used in illustration has been pointed out the angles of different views of the painting look at the works of illustration of Iranian painter artists have been analyzed and along with it, the works of several artists in Iran, both in the field of painting and in the field of artistic illustration, have been investigated
The viewing angle is different in the illustration, but in these works, the artist often focuses on the direct, more coherent, and more transparent view of the nose

Summary

INTRODUCTION

Choosing the angles of view of an artist, in drawing and illustrating and creating an art, irrespective of its positive functions, in particular, in order to better transfer the artist's concepts and messages to the audience, has different ways that with the scientific knowledge of the functions of each of them, a new window to the world of contacts can be opened and in this way, it promoted the quality of the works of artists. Understanding the fashions and Kalkhoran and Kamrani methods of painting in contemporary Iranian imagery and how Iranian painters and how much they use the language and style of painting in their works of illustration is always a concern of Iranian artists. The artist's choice affects media usage and features, and the concept of it undergoes a contemporary philosophical change. In this way, new trends in the media of art are born that emphasize the conceptual contradiction, form and narrative in the works produced. The importance of the evolution, features, and uses of the newly created art of painting and illustration (in their similarity and difference) in contemporary art, in the form of a case study and an analysis of it, can make it possible to understand the art of today. The beginning of their work were influenced by the works of Iranian pioneers in the 40s and 50s, But after a few experiments, they moved away from those styles and moved to a new style of choice (QA'INI, p. 166)

ANALYSIS METHOD

Findings

CONCLUSION