Abstract
Take the image of lotus in ancient poems as the carrier, and analyze the cultural implication of lotus imagery. Through the internal connection between lotus visual text and image language, the metaphorical image of lotus in ancient poetry and the image interpretation of lotus in oil painting language are used as the starting point to describe the artistic conception in literary works in an image way. There are four parts to study the image of lotus in ancient poems. Observing the state of things and experiencing the feelings of things; using the spirit of lotus and lotus to express the spirit of poetry, finding the aesthetic conception of poetry, co-constructing the strategy of image and text isomorphism, and fitting the personalized oil painting creation language with both pictures and text, it can help readers to build a new aesthetic perception and poetic comprehension to realize the cross-cultural resonance of poetry and painting imagery.
Highlights
Take the image of lotus in ancient poems as the carrier, and analyze the cultural implication of lotus imagery
Through the internal connection between lotus visual text and image language, the metaphorical image of lotus in ancient poetry and the image interpretation of lotus in oil painting language are used as the starting point to describe the artistic conception in literary works in an image way
There are four parts to study the image of lotus in ancient poems
Summary
Language is a variety of expression symbols for people to communicate. Broad language includes text language, body language, image language and all symbols of human communication. As a cultural symbol communication, it is one of the main language forms of human beings. The poet fixes the image in his mind through words and algae, provides readers with space for association, and jointly undertakes the task of communicating thoughts and feelings. Jiang Yin understood “imagery” in “Modern Interpretation of Classical Poetics” as: “The image structure composed of one or more image images processed by the poet’s feelings and consciousness and possessing a certain poetic self-sufficiency constitutes a poetic text” (Jiang, 2003). The image of lotus has rich image connotation, symbolic meaning and expression methods in ancient Chinese poetry: prototype image, natural image, aesthetic image, and so on
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