Abstract

The article is devoted to modern trends in the art of wooden sculpture. The main question we ask in this article is how to draw the line between art and craft. The problem of distinguishing between these two terms is one of the important issues in the theory of art. Having examined the work of a number of contemporary artists creating in the genre of wooden sculpture, we come to the conclusion that the key difference between handicraft and artistic wooden sculpture lies in the desire of artists for naturalness, working with raw wood, fixing the natural beauty of the material, which is not so typical for craftsmen. Turning to modern environmental trends, we assume that the task of a contemporary artist and a person who wants to live in harmony with nature is to learn to see its beauty in nature, to guess it even in unsightly forms. The author states that the greatness of nature lies in its diversity, and today, in the era of overproduction, including oversupply of pieces of art, our common task is increasingly reduced to working with objects found in the environment that undergo minimal processing and, first of all, turn, manifest the beauty of nature.

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