Abstract
This article argues that King Lear can help re-shape the emerging discourse of eco-criticism. The play's focus on human dis-harmony with the non-human environment resonates with recent developments in ecological science like the “post-equilibrium shift”. Shakespeare's representations of dis-equilibrium in the storm scenes can correct eco-criticism's reliance on pastoral and Romantic visions of harmony. The play's emphasis on the way natural systems, especially the weather, disrupt humanity's meaning-making capacities generates an alternative to dualistic notions of the self–nature relationship. By representing ecological instability and pluralized selfhood, King Lear reminds “green” readers how difficult and disorderly living in a mutable eco-system can be.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
