Abstract
In my visual essay, the limits of representation shall be tested by means of multiple exposure filmmaking. Drawing on the arts-based research project Visceral Operations/Assemblage (2019–23), I use my 16 mm Bolex camera to penetrate the hardly tangible occurrences in the first week of November 2020: the terror incident in the heart of Austria’s capital city Vienna and the second lockdown during the COVID-19 pandemic. For this I will stitch together atmospheres in the surgical operating theatre, in the urban environment and at home. Vulnerability is a central issue that shall be addressed aesthetically. Thus, I will elaborate a small history of scars.
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