Abstract
This article aims to introduce the publication in English of Ruthie Ginsburg's ‘Citizens' Photography: A Comparative Analysis' (2018) and Regev Nathansohn's ‘Shooting Occupation: The Sociology of Visual Representation’ (2007), both of which deal in different ways with the visual representation of Palestine/Israel, and specially of the Israeli occupation. The article does this by discussing the subjects of visibility and images in relation to Palestine/Israel, with a focus on how the occupied territories are seen from within the Green Line.
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