Abstract
This paper focuses on the role of the most common mineralogical techniques applied to the identification of the different statuary qualities in white, grey, and black Göktepe marble. For this purpose, the case of a Roman sculpture marble collection from the rural villa of Valdetorres de Jarama (central Iberia), dating to the 4th century AD, is presented. The mythological statuary, combining white, grey, and black marbles, is one of the most outstanding marble collections in the Aphrodisian style found in Hispania. The analytical results (achieved through Petrography, Cathodoluminescence, C and O isotopes, and Sr and Mn concentration) support the identification of two varieties of “black” Göktepe, traditionally referred to as bigio morato and bigio antico, as well as the best statuary quality of white Göktepe. In addition, the analytical identification of other Asiatic marbles in the Valdetorres collection, a white coarse-grain originally from the quarries of Aphrodisias city, and one small piece identified as Carian red from Iasos, corroborates the already suggested strong connection existing between artists and the stone material they chose for their works. Finally, the identification carried out on the marble of the bases that served as seats for the sculptures is noteworthy, as it is a white marble of lower quality whose analytical characteristics are consistent with the Microasiatic marble of Denizli. The use of these exotic and exceptional raw materials confirms the taste for luxury and decorative richness in Late Antique Hispanic rural villae and contributes to a better understanding of the distribution of Aphrodisian production and trade networks with the Western Roman provinces.
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