Abstract
This research is initiated to analysis the stage performance and musical analysis of Haacaaluu Hundeessaa works on Afaan oromoo reviews text collected from social Medias by applying the concept of sentiment analysis techniques. The data (reviews) were collected manually from social media on Haacaaluu Hundeessaa musical works. Haacaaluu Hundeessaa is Oromo singer, songwriter, civil rights activist and his being a voice his people. He is the most famous young singer, hero and icon of Oromo musician. From his musical works Sanyii Mootii(Race of the King), Waa'ee Keenyaa(Our Plight), Maalan Jira(What existence is mine), JIRTUU? are the most popular known in Oromo peoples as well as nation and nationality of Ethiopia. From Hacaaluu musical works, the researcher considered reviews (opinions) afaan oromoo text data on his single sang “JIRTUU?” to analysis stage performance of Haacaaluu Hundeessaa’s. The researcher inspires to use this single sang because; reviews (comments) are easier to access, available on you tube channel, extensive in size relatively from other his songs from social media. Additionally this song was broadcast live by Oromia Broadcasting Network and other Medias on different stage. Opinion lexicon approach with contextual valence shifter is used for analyzing opinions (comments) given on stage performance of Haacaaluu Hundeessaa works. Totally 18,687 reviews opinions or sentences were collected for experimentations to analysis stage performance and musical works of Haacaaluu Hundeessaa. Accordingly our result indicates around 99.52 percents peoples likes the stage performance and musical works of Hacaaluu Hundeessaa. From the results researcher observed Haacaaluu Hundeessaa has good performer with sing emotional and physically when he sing on the stages. In future works, further research needs to study others musical works of Hacaaluu Hundeessaa.
Highlights
Stage performance is an essential part of music making on stage that may engage and affect the audiences
Given the central importance of this skill for many kinds of music, stage performance has become an important research topic for disciplines .This paper focuses on the stage performance and musical analysis of Haacaaluu Hundeessaa works on afaan oromo reviews text collected from social Medias by applying the concept of sentiment analysis techniques
All of the datasets used for conducting the experiment analysis from YouTube channel on the musical works of Hacaaluu Hundeessaa’s on the stages such as at millennium hall when he declare about Oromo who were displaced by ethnic violence in Somali region, on the stage of masqal square,addis ababa when he declare the role of oromo and nation and nationality of Ethiopia on Adawa to fight italy
Summary
Stage performance is an essential part of music making on stage that may engage and affect the audiences. Haacaaluu Hundeessaa was born in Ambo in Oromia Region, Ethiopia, to Gudatu Hora and Hundeessaa Bonsa in 1986 (BBC, 2020). His family is from the Oromo ethnic group. In 2003, at the age of 17, he was arrested for taking part in protests He was imprisoned at Karchale Ambo for five years and later released in 2008. He was married to Fantu Demisse, with whom he has three children (BBC, 2020). In 2013, he toured the United States and released his second album, Waa'ee Keenyaa, which was the number one best-selling African music album on Amazon Music((BBC News,2020)
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