Abstract
Abstract The second document of Tallis’s career shows him as part of a flexible roster of half a dozen musicians at the London parish of St. Mary-at-Hill. He was paid for a total of twelve months’ work across two different annual accounts. This parish expended a great deal of money and effort on music. Polyphonic music was regularly copied, chant books were bought, and the organ was maintained. There was also a small choir school for boys. By the time Tallis was there in the later 1530s, the English church had already cut all religious and administrative ties to Rome, but the full round of complex traditional music was still in place. St. Mary-at-Hill often served as a springboard to more prestigious jobs; many of Tallis’s colleagues there went on to serve at cathedrals or in the Chapel Royal.
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