Abstract

In this paper I compare and contrast two educational paradigms that both attempt to overcome alienation often experienced by students in the conventional education. These two educational paradigms are embodied in different educational practices: First, Drama in Education in its widest definition, is based on the Vygotskian views that human cognitive, semantic (meaning-making), and social-emotional development happens in or through play and/or imagination, thus within the imagined worlds. Second, Critical Ontological Dialogic Pedagogy, is based in the Bakhtin inspired approach to critical dialogue among the “consciousnesses of equal rights” (Bakhtin, 1999), where education is assumed to be a practice of examination of the world, the others and the self. I reveal implicit and explicit conceptual similarities and differences between these two educational paradigms regarding their understanding the nature of learning; social values that they promote; the group dynamics, social relationships and the position of learners’ subjectivity. I aim to uncover the role and legitimacy of the learners’ disagreement with the positions of others, their dissensus with the educational events and settings, and the relationships of power within the social organization of educational communities in these two diverse educational approaches. I explore the legitimacy of dissensus in these two educational approaches regarding both the participants’ critical examination of the curriculum, and in regard to promoting the participants’ agency and its transformations. In spite of important similarities between the educational practices arranged by these two paradigms, the analysis of their differences points to the paradigmatically opposing views on human development, learning and education. Although both Drama in Education and Dialogic Pedagogy claim to deeply, fully and ontologically engage the learners in the process of education, they do it for different purposes and with diametrically opposite ways of treating the students and their relationship to the world, each other and their own developing selves.

Highlights

  • I must have read this particular quote about the “spoilsport” by Huizinga countless times before, never noticing anything unusual

  • If play is a leading developmental activity of young children (Duncan & Tarulli, 2003), wouldn’t it be natural, to organize education in such a way to ground it in this natural developmental practice – creating many opportunities for children of all ages to play, to perform and to use imagination? More than that, Vygotsky claimed that play is nothing but imagination in action, which means that young children need to have their education organized on the play principles, but that imagination needs to have a significant role in educational activities of older children, youth and adults

  • In this article I argue that there are paradigmatic differences between the two educational approaches: Drama in Education and Ontologic Dialogic Pedagogy. This does not make the actual educational events generated within these approaches less complex and intricate

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Summary

Introduction

I must have read this particular quote about the “spoilsport” by Huizinga countless times before, never noticing anything unusual. Both Drama in Education and Dialogic Pedagogy claim to deeply, fully and ontologically engage the learners in the process of education, they do it for different purposes and with diametrically opposite ways of treating the students and their relationship to the world, each other and their own developing selves.

Results
Conclusion

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