Abstract
ABSTRACT This paper traces Spinoza’s engagement with early-modern poetics. Historians of philosophy regularly locate Spinoza within the philosophical traditions of his time. I argue that, by placing him in a parallel poetic culture, we can extend our appreciation of the expectations and debates to which he is responding, and the ways he uses poetry in his philosophical work. I make three claims: that Spinoza’s conception of imagination is fundamentally poetic; that he offers a genealogical resolution to a debate about the relative value of poetic inspiration and poetic art; and that he provides a carefully balanced analysis of the ways in which poetry can support philosophical understanding.
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