Abstract
The motif of the sphinx originated in Egypt and became widely distributed throughout the ancient Near East and the Aegean. In dealing with its history and changing appearances we can reconstruct mutual intercultural contacts.This paper explores two classical variants of the sphinx and the context of their representation: the calm sphinx resting on its legs and the violent one that tramples on human beings or dominates other creatures.The Egyptian prototypes are discussed in due detail to clarify some interesting features that were imitated or modified by Levantine artisans. Moreover, a fragmentary representation on a wall painting from Tell Sakka - hitherto interpreted as an anthropomorphic image - should rather be reconstructed as sphinx.The study assesses possible media of contact and points out further lines of inquiry.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
